Stolen Van Gogh works return to public display after 17 years

Restored paintings go on view in Amsterdam, infamous art heist story to a close

Seventeen years after being snatched from the Van Gogh Museum in Amsterdam, two of the artists works have been put back on public display, bringing the story of one of most infamous postwar art heists to a close.

View of the Sea at Scheveningen and Congregation Leaving the Reformed Church in Nuenen by Vincent van Gogh were stolen in the dark of a December night in 2002.

Octave Durham, now 46, and his accomplice, Henk Bieslijn, climbed on to the roof of the museum using a stolen ladder before smashing a window with a sledgehammer and lifting from a wall the smallest and nearest Van Gogh canvasses they could find. A security guard spotted the men, but she was not allowed to use force to stop them.

Congregation Leaving the Reformed Church in Nuenen. Photograph: Jeroen Jumelet/AFP/Getty Images

The works, painted between 1882 and 1885, were finally recovered in Italy in 2016 and have spent the last two years in the museums conservation studio being restored.

After stuffing the works in a bag, Durham slid down a rope, only to hit the ground with such force that he smashed the seascape painting, tearing a 7cm by 2cm piece from its bottom left-hand corner.

He also dropped his baseball cap, from which the DNA contained in 10 strands of hair would later seal his conviction.

To fill the ripped corner, a scanning technique was used by experts at the Northwestern University in Chicago to measure the thickness of the surrounding paint and the contours of the missing piece.

A comparison was made with a photograph made before the theft, allowing restorers to determine the relief of the surface, which was then reproduced in a 3D-printed mould.

The filling from the mould was then attached to the painting by the conservator, ensuring that it perfectly matched the original brushstrokes. A final retouching was made by hand.

During the restoration, a faint Vincent signature was found, although experts believe it was probably applied by someone other than Van Gogh.

Read more: http://www.theguardian.com/us

Related Post

This website uses cookies to improve user experience. By using our website you consent to all cookies in accordance with our Cookie Policy.

Read More